Layers of Complexity

I recently made a fresh batch of garam masala. To do that, I toasted each spice separately in skillet on the stovetop. The fragrance coming from each one as it heated was enticing and it was a delight to take time with each one. And then, after they were fully toasted, I put them into a grinder and blended them together. The complex aroma that resulted was incredible and it made me so happy. 

Making my art is a similar experience, except that it is a visual one. I usually create the first layer with dyes either by immersion or by screening thickened dyes onto the surface of the fabric.

After I take some time to admire the colors and patterns formed and treasure this precious creation, I take a leap and add another layer. Sometimes this next layer is a dye bath and sometimes it is more printing. And I’m always amazed at how much better it looks with its new complexity.

Then the questioning begins…Should I add more or is it done? Most of the time, it needs more. Usually, at this point, I switch to paint. That way I can add finer details and what I see is what I get. With dyes, it may not be possible to add more (the dye sites on the fabric may have been taken up with the previous dye layers) and this new layer might wash off or not come out as dark or as bright as it appears when I apply it.

Once all the layering is done (if I’ve done it right), I can sit back and take in how all the colors and shapes play off of each other. Just like enjoying the flavors layered in the garam masala. Some stay in the background and others jump out to the front. All of them play an important role and the work would be incomplete and lacking if any were left out.